P R E S S
Lucija Šutej, Alice Scope, “Alice Scope,” Infra Magazine, November 8, 2024.
Doreen Rios, “Digital Capture: Southern California and the Pixel-Based Image World,” Anti Materia, October 29, 2024.
Clara Che Wei Peh, “My Own Words: The Online Exhibition — Do We Like Them Yet?,” Art and Market, October 24, 2024.
Zsofi Valyi-Nagy, “The Best PST Art-Science Shows Work Against Today’s Obsession with ‘Innovation’,” Art in America, October 21, 2024.
Pita Arreola, Corinna Gardner, and Melanie Lenz, eds. Digital Art: 1960s to Now, V&A Museum and Thames and Hudson, London, 2024: 182.
Shana Nys Dambrot, “13ThingsLA: September 25,” 13ThingsLA, September 24, 2024.
April Baca, “EPOCH,” in Digital Capture: Southern California and the Pixel-Based Image World, UCR ARTS, Riverside, CA, 2024: 15, 65.
Eleonora Milani, “Biennale de l’Image en Mouvement 2024 at Centre d’Art Contemporain,” Spike Art Magazine, issue 79 (Spring 2024): 136-137.
Marija Olga, “A Cosmic Movie Camera and a Biennial of Moving Images,” Kinoki, March 7, 2024.
OUTLAND in conversation with Hans Ulrich Obrist, “On the Metaverse,” in On NFTs, Taschen, Köln, 2024: 524.
Robert Nashak, “Museum as Interface Metaphor,” Los Angeles Review of Architecture, February 22, 2024.
Doreen Rios, “A Cosmic Movie Camera,” Anti Materia, February 19, 2024.
Alice Bucknell, “A Camera Tracks to Infinity: Biennale de l’Image en Mouvement 2024 at Centre d’Art Contemporain, Geneva,” Mousse Magazine, February 10, 2024.
Samuel Schellenberg, “Intelligemment Artificielle,” Le Courrier, February 9, 2024.
Vanessa Murrell, “Saliva Lounges and Pram Playgrounds at the Biennale de l’Image en Mouvement 2024,” Elephant, February 1, 2024.
Jacqueline Schmitz, “Genève s’anime avec la Biennale de l’image en mouvement,” Le Messager, February 1, 2024.
Ambre Oggier, “Cosmic Return of BIM,” Go Out! Magazine, February 1, 2024.
Alessandra Mammì, “For art, truth is beyond reality,” Il Giornale dell’Arte, January 30, 2024.
“EPOCH: A Cosmic Movie Camera,” Digital Arts Blog, January 29, 2024.
Connie Bakshi, “Artist Interview: Connie Bakshi,” Digital Arts Blog, November 3, 2023.
Ana María Caballero, “Web3 Travel Guides: 6 NFT-Friendly Hubs In Los Angeles,” Forbes Digital Assets, September 11, 2023.
Lindsay Preston Zappa, “Top 3 This Week,” KCRW Art Insider, August 29, 2023.
Honor Fraser, Peter Wu+. Interviewed by April Baca, “How to Reworld Reality,” Right Click Save, August 25, 2023.
“Virtual Exhibition: CATALYST,” Digital Arts Blog, August 19, 2023.
Anna Gorham, Charlotte Kent, “New Absurdism w/ Charlotte Kent: A conversation about the absurd and virtual art,” USURPATOR, August 4, 2023.
Matt Stromberg, “Art Shows to See in LA This May,” Hyperallergic, April 30, 2023.
Victor Sledge, “LIFELIKE: The Perforated Lines Between Technology and Our Bodies,” Whitehot Magazine, April 2023.
Sofia de la Cruz, “LIFELIKE is an Exhibition Exploring Body Sovereignty During the New Era of the Internet,” Hypebae, March 24, 2023.
Charlotte Kent, “The Crypto Bubble’s Burst. What Will Happen to the NFT Artworld?,” ArtReview, January 20, 2023.
Jesse Damiani, “Curating in Postreality,” Right Click Save, January 16, 2023.
Shana Nys Dambrot, “Baby New Year: Arts Calendar January 5-11,” L.A. Weekly, January 4, 2023.
April Baca, “EPOCH Gallery,” Journal of Curatorial Studies, vol. 11, no. 1, 2022, pp. 108-111.
Charlotte Kent, “The Woman Who Became a Company Has Lessons for a Post-Roe World,” Wired, September 8, 2022.
Charlotte Kent, “Data/Body: Corpus and the Cloud Empire of our Lives,” The Brooklyn Rail, September 7, 2022.
Jenna Kagel, “‘Unprotected’: New digital art show funds reproductive rights,” KCRW: Greater LA, August 31, 2022.
“Exhibition: UNPROTECTED,” Les Nouveaux Riches, August 16, 2022.
Charlotte Kent, “NFTs Can Be Artistically Groundbreaking — Meet the Artists and Curators Leading The Way,” ARTnews, June 10, 2022.
Lisa Stoiber, “Internet Explorer: Art Online #19 –
About ecosystems, self-care and the power of pollinators,” GalleryTalk.net, May 31, 2022.
Charlotte Kent, “EPOCH Gallery and Blockchain’s New Ecology,” Right Click Save, May 30, 2022.
Kristina Borhes, “Peter Wu+,” Coeval Magazine, May 11, 2022.
Quirin Brunnmeier, “Internet Explorer: Art Online #15 –
Online is not enough,” GalleryTalk.net, February 22, 2022.
Brian Droitcour, Peter Wu+,“EPOCH Gallery,” Outland, February 7, 2022.
Joel Ferree, “Introducing ECHOES, a Virtual Exhibition from the LACMA Art + Tech Lab, EPOCH Gallery, and UNCOPIED,”
LACMA Unframed, February 4, 2022.
Danielle Shang, “The Delirious State of Being,” Art Asia Pacific, Vol.27, January 2022: 90-91.
Reena Devi, “2021 Wrapped: Five Digital Art Exhibitions that Resonated Deeply this Year,” CoBo Social, December 23, 2021.
Patrick Steffen, “On View: International Exhibitions,” Flash Art, No.337, Vol.54, Winter 2021-2022: 183.
Lara Brörken, “Internet Explorer: Art Online # 7 –
Solitude and Society,” GalleryTalk.net, October 19, 2021.
Cayetano Ferrer, Peter Wu+, “NFTs and the Museum Part 3: Artists and NFTs—Cayetano Ferrer in Conversation with Peter Wu+,”
LACMA Unframed, September 20, 2021.
Brian Droitcour, “From Blockchain to Browser: Exhibiting NFTs, Part One,” Art in America, August 12, 2021.
“FREEPORT: Must see,” Artforum, July 28, 2021.
Danni Shen, “Wonderland: Surviving Horror and Monstrosity,” Heichi Magazine, July 8, 2021.
Elian Carsenat, “First entire virtual Art exhibition sold as a NFT,” Uncopied, July 6, 2021.
Quirin Brunnmeier, “In Hypertext and Image: Four Exhibitions in Digital Space,” GalleryTalk.net, June 29, 2021.
Carla Tomillo, “Imprescindibles,” Vanidad, Issue 223, Summer/Spring 2021: p. 10.
The Art Newspaper’s XR Panel, “Memories of Myst: Substrata, a new artist-run virtual exhibition, is like entering a magical afterlife,” The Art Newspaper, March 12, 2021.
“Feminism and diversity. Questioning womanhood and post-colonial spaces,” S+T+ARTS, March 11, 2021.
Quirin Brunnmeier, “Art in Quarantine #24: Dystopias, Utopias and Metaverse,” GalleryTalk.net, March 9, 2021.
Annabel Osberg, “Spelunking Through ‘Substrata’ at EPOCH Gallery,” ÆQAI Magazine, February 20, 2021.
Matt Stromberg and Elisa Wouk Almino, “Your Concise Los Angeles Art Guide for February 2021,”
Hyperallergic, February 3, 2021.
Lindsay Preston Zappas, “Art Insider: SUBSTRATA at Epoch Gallery,” KCRW Arts & Culture Stories, January 26, 2021.
Shana Nys Dambrot, “Protest, Politics, and Pandemic: L.A. Weekly Arts Year in Review,” L.A. Weekly, December 29, 2020.
Anuradha Vikram, “Virtual Eyes: Art Criticism in the Online Gallery,” March, Issue 1, December 2020.
Travis Diehl, “The Lighthouse: Drinking the Fuel / On the Rocks,” CARLA, Issue 22, November 2020: 16-19.
Teresa Hantke, “Art in Quarantine #9: Scrolling in digital dream worlds,” GalleryTalk.net, November 10, 2020.
Steve Chiotakis and Lindsay Preston Zappas, “‘beautiFOAL’ and ‘Labyrinth’: two new art shows to check out amid the pandemic,” KCRW, September 24, 2020.
Catherine Wagley, “Labyrinth at EPOCH,” Contemporary Art Review Los Angeles, September 16, 2020.
Anuradha Vikram, “How Do I Bring Attention to My Work?,” KCET Southland Sessions, September 16, 2020.
Shana Nys Dambrot, “Fallen Monuments,” Artillery, September/October 2020.
April Baca, “Art Review: Fallen Monuments Offers Mediated Landscapes and Virtual Futures,” L.A. Weekly,
August 17, 2020.
“Fallen Monuments presented by EPOCH Gallery,” Art Africa, issue 19, July/August 2020, p. 220 – 231.
Lindsay Preston Zappas, “Art Insider: EPOCH Gallery is part viewing room and part video game,”
KCRW Arts & Culture Stories, May 5, 2020.
Shana Nys Dambrot, “More than a Walkthrough: Galleries get Creative in their Digital and Analog Adaptations,”
L.A. Weekly, May 7, 2020.
Anna Meinecke, “Click that! Five really good online exhibitions,” GalleryTalk.net, May 11, 2020.
Jim Bicknell-Knight and Sid Smith, “EPOCH, Global Cows, SITE in.oscillation, Hans Ulrich Obrist’s Do it Project, and Sophie Bates on ilyd,” Artists and Friends, Podcast audio, May 19, 2020.
